The Paul Taylor Dance Company’s Expansive Season: A Tribute to Legacy and Innovation

The Paul Taylor Dance Company’s Expansive Season

The Paul Taylor Dance Company is embracing a theme of expansion this season, marked by several exciting developments. The company has recently moved into a larger, more modern building in Midtown, indicating a bold step forward. In addition to this growth, the repertory is expanding with new dances, and a significant announcement has been made regarding the appointment of a new resident choreographer.

However, as I observed the performances during their opening week at Lincoln Center, it became evident that the essence of the season is profoundly tied to the legacy of Paul Taylor, who passed away in 2018. His unique ability to craft dances that resonate with the complexities of the American experience — whether they are darkly humorous, hopeful, or passionately intense — is sorely missed. Taylor had a remarkable talent for exploring the delicate balance between light and shadow, illustrating how dance can reflect real life in ways that invigorate the body and awaken the soul.

The recent programs showcased a collection of new works that, while notable, leaned more towards brevity and softer themes rather than the vigorous choreographic force that Taylor was known for. Alongside two premieres by Lauren Lovette, the performances included a tribute to the former company member Carolyn Adams, choreographed by Robert Battle, and a homage to LoĂŻe Fuller, a pioneering figure in modern dance renowned for her innovative use of light and costume, created by Jody Sperling.

During the company’s gala dinner on Wednesday, an important announcement was made: Robert Battle, the former artistic director of Alvin Ailey American Dance Theater, has been appointed as the resident choreographer, joining Lovette, who has held the position since 2022.

Battle has expressed his admiration for Taylor’s works throughout his career, having integrated Taylor’s repertoire into the Ailey company’s performances. Yet, it remains to be seen how he will contribute to the evolution of the Taylor legacy. His tribute to Adams, titled “Dedicated to You,” marks his debut piece for the company. This work showcased his familiarity with Taylor’s vocabulary, yet it revealed a struggle to create something uniquely innovative from those established movements.

In summary:

  • The Paul Taylor Dance Company is expanding with a new building and repertory.
  • New works include premieres by Lauren Lovette and tributes by Robert Battle and Jody Sperling.
  • Robert Battle has been appointed as a resident choreographer, joining Lauren Lovette.
  • Battle’s “Dedicated to You” reflects a blend of admiration for Taylor’s style and the challenge of innovation.

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