Exploring the Depths of Forgiveness: A Premiere Experience
“Can We Know the Sound of Forgiveness,” which made its New York debut on Friday evening at Zankel Hall, is a rich tapestry of artistic expression, weaving together a myriad of elements into a compelling 75-minute experience. This innovative piece features, in various combinations, the Crossing—a remarkable contemporary-music choir; a wandering flutist; a dynamic quartet of percussionists; two emotive actors; dancers from multiple troupes; and captivating projections of drawings and photographs.
Throughout the performance, themes of significant societal relevance emerge, touching upon pressing issues such as war, migration, and environmental destruction. The unifying force behind all these diverse elements is the talented composer Gabriela Ortiz. Currently in residence at Carnegie Hall for this season, Ortiz crafts music characterized by vibrant, energetic colors. “Can We Know the Sound of Forgiveness” presents a curated selection of her works, loosely interwoven into a five-movement multimedia meditation, under the direction of Stephen Jiménez.
The performance alternates between solemn dialogues delivered by the two actors—these are not entirely naturalistic scenes but rather elegiac reflections that hint at deep emotional pain. These poignant interludes are interspersed between the musical segments. Notably, Ortiz’s luminous 2022 choral composition “Tierra,” which features an artfully enigmatic text by Benjamin Alire Sáenz, serves as the musical foundation for both the opening and closing movements.
In this multifaceted presentation, flutist Alejandro Escuer captivates the audience with a breathy, stark style, reminiscent of traditional Latin American wooden folk instruments. His performance adds a unique auditory dimension to the overall experience.